BOUFFON · CLOWN · PHYSICAL THEATRE · INTERNATIONAL TRAINING
Bouffon · Physical Theatre · Ensemble · Performance

Bouffon is the anarchic, and most clever cousin of clown.
The outcast. The trickster. The mirror.
Bouffon looks at the world we have made and reflects it back to us, bigger, stranger and considerably less polite. Through parody, transformation, play and the grotesque, the Bouffon exposes our absurdities, hypocrisies and taboos, not from a position of moral superiority, but with enormous pleasure in the game.
It is a form that asks the performer to be
bold, beautiful, ridiculous, dangerous and completely alive.
Beauty and the grotesque sit side by side. Bouffon plays with power: who holds it, who obeys it, and who is permitted to laugh. Its rebellion is theatrical, not a lecture. The audience is seduced into complicity, then asked to recognise itself in the game.



The work sharpens ensemble awareness: listening to an impulse, sharing focus and sensing when to support or disrupt the game. Physical and imaginative range grow alongside comic intelligence, courage and the freedom to stop being an obedient performer.
Bouffon asks the actor to become bigger. To stop apologising for the body. To follow an impulse beyond the point of good taste. To discover the grotesque can be gorgeous, failure can be fertile, and that what first appears ridiculous may contain enormous theatrical power.

Bouffon develops an actor’s appetite for risk, scale, pleasure and danger. It demands direct contact with an audience and the magnetic complicity required to hold them there. The performer learns to seduce and attack, to parody, provoke, expose and play, while remaining exquisitely sensitive to what is actually happening in the room.


Actors spend an extraordinary amount of time learning how to get things right. To be truthful. To be tasteful. To make the clever choice. To be castable, likeable, believable. Bouffon pulls the rug out from under all of that. For an actor, this can be profoundly liberating. The range gets wider. The choices get bolder. The body becomes more available. The imagination becomes less obedient.

Where I’ll be.
Copenhagen, Denmark
Copenhagen · The Commedia School
Come advance your humanity with us in Copenhagen.
23–29 October
BOOK NOW
Moscow & St Petersburg, Russia
Bouffon · Moscow & St Petersburg
Bouffon · Three days in each city. St Petersburg contact: Dary.dzen@gmail.com
Moscow: 6–8 November · St Petersburg: 13–15 November
REGISTER INTEREST
[City and country to be confirmed]
[Women and Subversive Comedy London 2027]
[Level and duration to be confirmed]
[Dates to be confirmed]
[Booking link to be supplied]
[City and country to be confirmed]
[Bouffon Finland 2027]
[Level and duration to be confirmed]
[Dates to be confirmed]
[Booking link to be supplied]
[City and country to be confirmed]
[Bouffon Commedia School Copenhagen 2027]
[Level and duration to be confirmed]
[Dates to be confirmed]
[Booking link to be supplied]
[City and country to be confirmed]
[Bouffon Vienna Austria 2027]
[Open workshop Bouffon Introduction]
[Dates to be confirmed]
[Booking link to be supplied]
[City and country to be confirmed]
[Bouffon Russia 2027]
[Level and duration to be confirmed]
[Dates to be confirmed]
[Booking link to be supplied]
[City and country to be confirmed]
[Bouffon Lisbon, Portugal 2027]
[Bouffon Introduction]
[Dates to be confirmed]
[Booking link to be supplied]
[City and country to be confirmed]
[Bouffon Taster Online 2027]
[Level and duration to be confirmed]
[Dates to be confirmed]
[Booking link to be supplied]
[City and country to be confirmed]
[Bouffon Introduction]
[Dates to be confirmed]
[Booking link to be supplied]
A WORKSHOP CAMPAIGN
The outsider notices what everyone else has agreed not to see. The nonconformist refuses the expected shape. Odd One Out is an invitation to work with that difference: to make the strange, the unruly and the inconvenient part of your theatrical language.

Jaime Mears is an Australian actor, director and internationally recognised theatre teacher whose work sits at the intersection of Bouffon, Clown, Le Jeu, improvisation and physical theatre.
A graduate of NIDA and a Churchill Fellow, Jaime spent two years training at École Philippe Gaulier in Paris, before being invited to assist Philippe Gaulier himself in Neutral Mask and Greek Tragedy in 2010. Her subsequent training has included work with Anne Bogart and SITI Company, Keith Johnstone and Complicité.
Over more than twenty years as a performer and teacher, Jaime has taught actors, theatre-makers and professional clowns across Australia, the UK, Canada, the USA, Portugal, Denmark, Germany, Austria, the Netherlands, Latvia, Hungary, Finland, Russia and beyond. Her teaching has taken her from drama schools and independent actor-training studios to international theatre companies and some of Europe’s leading healthcare-clown organisations.
What distinguishes Jaime as a teacher is not simply her technical knowledge, but her ability to create the conditions in which performers become braver, more playful and more theatrically alive. Her teaching is rigorous without becoming rigid, irreverent without becoming careless, and deeply attentive to the individual performer. She has a particular gift for recognising where an actor is playing safe, then finding the game, provocation or permission that allows something much larger to appear.
Eight years of professional hospital clowning inform Jaime’s attention to the person in front of her: listening, adapting and finding the game together. In the studio, technical rigour meets playfulness and risk. Individual attention helps each performer develop their own theatrical language rather than reproduce somebody else’s.
Bad, Bold & Beautiful
Bad, Bold & Beautiful: Bouffon Level 1
An introduction to the pleasure and provocation of Bouffon. Explore physical transformation, parody, the grotesque and ensemble play. Develop comic intelligence and discover how to invite an audience into your game.
Bad, Bold & Beautiful: Bouffon Level 2
A deeper investigation for performers building on their Bouffon practice. Sustain the game, sharpen the parody and develop material with an ensemble. Work with power, taboo and audience complicity while keeping pleasure alive.
For your school, ensemble or organisation
Workshops shaped around the people in the room and the work you want to make. Bouffon, Clown, Le Jeu and physical theatre can be explored individually or in combination. Get in touch to discuss your group, context and ambitions; duration and format are agreed together.

From the room.
Eric Davies · Co-creator and performer of Red Bastard
Let’s make something unruly.
For workshop enquiries, collaborations and bookings, write to Jaime. Tell me about your performers, your school or your ensemble, and what you’d like to explore.
jaimemears@gmail.com










